The Cultural is Political: Intersections of Russian Art and State Politics
Keywords:
Russian culture, Russian society, Russian contemporary literature, media studies, twitter, memory culture, civilizationalism, Russian politics, cultural sovereignty, Russian filmSynopsis
In the last decade, culture and art have become arenas of forceful political controversy in Russia. Bringing together an international group of scholars from various disciplines – Russian media studies, the history of ideas, political science, literature and gender studies – this book combines assessments of Russian cultural policies, political ideologies and intellectual trends with case studies on Russian literature, film, rap and memory culture.
Chapters
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Contents
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Introduction
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The Sources of Russia’s Transgressive Conservatism: Cultural Sovereignty and the Monopolization of Bespredel
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The Constitution of the Current State: Article 13 and Russian Cultural Politics
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Russian Civilizationism at the Turn of a New Decade: The Case of Academia
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#Russianrapisracist vs #RussianNaziPurgeParty: On Geopolitics, Trolling and the Mistranslation of Race in a Twitter Controversy
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From Celebrated Novel to Media Outrage: The Public Debate Surrounding the Miniseries Zuleikha Opens Her Eyes
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Battle for the North: Russian Cyberconflict over Commemorating the Red Army’s Liberation of Northern Norway
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The Violent Frame: Vladimir Sorokin’s “White Square”
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The Incarnation of the Past: Sergei Lebedev’s Poetics of Memory
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Contributors
Published
December 29, 2020
Series
Print ISSN
1501-8954
Copyright (c) 2020 Ingunn Lunde, Irina Anisimova; Jardar Østbø, Ulrich Schmid, Kåre Johan Mjør, Dinara Yangeldina, Johanne Kalsaas, Stehn Aztlan Mortensen
Details about this monograph
ISBN-13 (15)
978–82–90249–39–2
doi
10.15845/sb.19.13