Shakespeare, Art and Artifice: An Interview with Stuart Sillars
PDF

Keywords

shakespeare; visual arts; renaissance; stuart sillars; interview; Shakespeare Seen

How to Cite

McPartland, P. “Shakespeare, Art and Artifice: An Interview With Stuart Sillars”. Early Modern Culture Online, Vol. 4, no. 2, Feb. 2019, pp. 1-31, doi:10.15845/emco.v4i2.2612.

Abstract

Ahead of the publication of his forthcoming book, Shakespeare Seen: Image, Performance and Society (Cambridge, 2018), Stuart Sillars sat down for an interview with Perry McPartland. The discussion revisited a number of topics that Sillars has explored in his various publications on Shakespeare, including Shakespeare’s aesthetic strategies of transformation, the relationship his work takes to the visual, and the uses to which Shakespeare puts aesthetic artifice. The interview was conducted in two parts over a very nearly adequate Skype connection in the summer of 2018.

https://doi.org/10.15845/emco.v4i2.2612
PDF

Copyright (c) 2019 Perry McPartland

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors who publish with this journal agree to the following terms:

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

Bergen Open Access Publishing