AbstractThis ethnographic film follows a young Chinese musician's struggles in Japan, demonstrating how emergent socialities and convivialities form through playful scenarios and the interplay of digital and analogue worlds. It explores how desire, disappointment and creativity shape young Chinese people's social bonds while living abroad, revealing the complicated nature of friendship in migration contexts. Based on long-term fieldwork in Tokyo's unofficial Chinatown, Ikebukuro, the film also serves as a reflection on the role of friendship in anthropological research.
Copyright (c) 2018 Jamie Coates
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives License that allows others to share and redistribute the work, but not for commercial purposes or in modified forms, with an acknowledgement of the work's authorship and initial publication in this journal.