Slavica Bergensia
https://boap.uib.no/books/sb
<p>Slavica Bergensia is an open-access, peer-reviewed series published by the Department of Foreign Languages, University of Bergen. Established 1999, it publishes monographs and article volumes in English, Russian and German. General editor: Ingunn Lunde</p>en-USSlavica BergensiaEnergy/Waste
https://boap.uib.no/books/sb/catalog/book/21
<div><span lang="EN">This volume investigates representations of energy and waste in post-Soviet cultures. The contributors analyze how post-Soviet societies reinterpret and reimagine not only </span><span lang="EN">their role in energy use and waste management, but also their relationship to the Soviet legacy of large-scale environmental changes, pollution, and resource exploitation. By examining how categories of energy and waste are expressed and made visible through discourse, literature, film, art, and other modes of cultural production, </span><span lang="EN" style="font-size: 0.875rem;">the book aims to nuance and enrich environmental approaches in scholarship on the post-Soviet world. </span><span style="font-size: 0.875rem;">The volume’s interdisciplinary chapters highlight the distinctive trajectories of post-Soviet countries’ approaches to environmental regulation and representation in the last three decades.</span></div>Maria HristovaAlyssa DeBlasioIrina AnisimovaMasha ShpolbergElena GorbachevaElena Monastireva-AnsdellJosé VergaraHaley LaurilaIrina Souch
Copyright (c) 2023 Maria Hristova, Alyssa DeBlasio, Irina Anisimova; Masha Shpolberg, Elena Gorbacheva, Elena Monastireva-Ansdell, José Vergara, Haley Laurila, Irina Souch
https://creativecommons.org/licenses/by/4.0
2023-03-062023-03-06Vladimir Sorokin's Languages
https://boap.uib.no/books/sb/catalog/book/9
<p>Since coming to the attention of a broader Russian public after the pro-Putin youth movement <em>Walking Together </em>stirred up a storm over <em>Blue Lard </em>in 2002, Vladimir Sorokin has indisputably become one of the most prominent and prolific writers in contemporary Russia, and remains surrounded by an aura of political dissent.</p> <p>The first book in English dedicated to Sorokin’s œuvre, this volume discusses language as the<br>main focal point of his writing. The contributions focus on the multifaceted dimensions of language(s) and metalanguage(s) in Sorokin’s works, including archaisms and neologisms, foreign terms or intercultural stereotypes, colloquial and vulgar language, metadiscursive distance and the materialization of metaphors. The volume also includes a roundtable discussion on translation, in which Sorokin himself takes part.</p>Tine RoesenDirk UffelmannMark LipovetskyPeter DeutschmannNadezhda GrigoryevaMaxim MarusenkovNariman SkakovIlya KalininManuela KovalevMartin PaulsenJosé AlanizLisa Ryoko WakamiyaBrigitte ObermayrMarina AptekmanIngunn LundeIlya KukulinVladimir Sorokin
Copyright (c) 2017 Tine Roesen, Dirk Uffelmann
2022-04-292022-04-29The Cultural is Political: Intersections of Russian Art and State Politics
https://boap.uib.no/books/sb/catalog/book/19
<p>In the last decade, culture and art have become arenas of forceful political controversy in Russia. Bringing together an international group of scholars from various disciplines – Russian media studies, the history of ideas, political science, literature and gender studies – this book combines assessments of Russian cultural policies, political ideologies and intellectual trends with case studies on Russian literature, film, rap and memory culture.</p>Irina AnisimovaIngunn LundeJardar ØstbøUlrich SchmidKåre Johan MjørDinara YangeldinaJohanne KalsaasStehn Aztlan Mortensen
Copyright (c) 2020 Ingunn Lunde, Irina Anisimova; Jardar Østbø, Ulrich Schmid, Kåre Johan Mjør, Dinara Yangeldina, Johanne Kalsaas, Stehn Aztlan Mortensen
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2020-12-292020-12-29Dialogue and Rhetoric
https://boap.uib.no/books/sb/catalog/book/1
<p>This book is the first volume in a new series, Slavica Bergensia, published by the Department of Russian Studies at the University of Bergen. It brings together nine articles, originally presented as papers at a symposium on “Dialogue and Rhetoric” held in Bergen on 14–17 January 1999.</p> <p>The Bergen symposium was one of several seminars held during the past few years as a direct result of contacts established at workshops and meetings within the framework of the Nordic Academy for Advanced Study (NorFA) network for doctoral students in Russian literature (1994–1999), organized by Peter Alberg Jensen of the University of Stockholm. It is a pleasure to launch this series with a book which reflects in written form one of the network’s many fruitful outcomes.</p> <p>The symposium was financed by “The Norwegian National Committee for Graduate Studies in the Humanities” (nfu-h), while a grant from NorFA enabled us to invite doctoral students from Denmark and Sweden. I am grateful to the Faculty of Arts, University of Bergen, for providing me with financial support for the publication. Special thanks are due to my editorial advisor, Ursula Phillips of the School of Slavonic and East European Studies, University College London, for her ample suggestions regarding the stylistic and linguistic level of the volume. I would also like to thank Tine Roesen and Knut Andreas Grimstad for their creative input concerning a few particular points, and, finally, the contributors for their valuable cooperation.</p> <p><strong>Not available online.</strong></p>Ingunn LundeWolf SchmidTine RoesenPeter Alberg JensenKnut Andreas GrimstadLillian Jorunn HelleRenate LachmannRasmus SlaattelidAlexandra Leontieva
Copyright (c) 1999 Ingunn Lunde; Wolf Schmid, Tine Roesen, Peter Alberg Jensen, Knut Andreas Grimstad, Lillian Jorunn Helle, Renate Lachmann, Rasmus Slaattelid, Alexandra Leontieva
2017-05-302017-05-30Kirill of Turov
https://boap.uib.no/books/sb/catalog/book/12
<p>The second volume of Slavica Bergensia is devoted to the literary legacy of the twelfth-century Kievan author(ity) known as Kirill, bishop of Turov. It is a daunting fact that we know close to nothing about Kirill’s life and activity. No contemporary historical source mentions his name, and the short <em>Synaxarion Life</em>, written no earlier than the mid-thirteenth century, is largely composed of hagiographical <em>topoi</em>. What we do have, however, is a quite remarkable corpus of texts, which belong to a number of different genres or forms: festal homilies, monastic commentaries, some letters, a cycle of prayers, other hymnographical texts, including several versions of a penitential Prayer Kanon, a Kanon to Ol’ga, and an abecedarian prayer. We do not know whether or not all these texts were written by one and the same author, and if this author is to be identified as “Kirill, bishop of Turov.” If he is, Kirill of Turov must certainly be regarded as a major figure in the history of early East Slav literature and spirituality. Alternatively, the label “Kirill, bishop of Turov” might have been invented at a later point, in order to designate an appropriate authority as the author of a set of texts that were fairly popular and obviously held in high esteem.</p> <h2>Content</h2> <ol> <li>David Kirk Prestel: Ascent to the Cave: Kirill of Turov and Kievan Monasticism</li> <li>Alexander Pereswetoff-Morath: A Shadow of the Good Spell: On Jews and Anti-Judaism in the World and Work of Kirill of Turov</li> <li>Fedor Dviniatin: Semanticheskie oppozitsii v torzhestvennykh slovakh Kirilla Turovskogo: Bog/chelovek v <em>Slove o rasslablennom</em></li> <li>Ingunn Lunde: <em>N’’ ne ot svoego serdtsa siia iznoshiu slovesa</em>: Kirill of Turov’s Rhetoric of Biblical Quotation</li> <li>Vladimir Kolesov: Simvol kak semanticheski sistemoobrazuiushchii komponent v tekstakh Kirilla Turovskogo</li> <li>Robert Romanchuk: Efrosin of Kirillov and the Paschal-Pentecost Cycle of Kirill of Turov</li> <li>C.M. MacRobert: In Search of a Canon: The Dissemination in Fourteenth-Century East Slavonic Manuscripts of Prayers and Hymns Attributed to Kirill of Turov</li> <li>Joy Bache: The Perception of Time in Three Sunday Prayers Attributed to Kirill of Turov</li> <li>Ekaterina Rogachevskaia: The Concept of Sin in Kirill of Turov’s Writings</li> <li>Contributors</li> <li>Index</li> </ol> <p><strong>Not available online.</strong></p>Ingunn Lunde
Copyright (c) 2000 Ingunn Lunde
2017-05-302017-05-30Samveldet av uavhengige stater
https://boap.uib.no/books/sb/catalog/book/13
<p>Slavica Bergensia publishes monographs and article collections in English, German and Russian. Vol. 3, in Norwegian and New-Norwegian, is a one-time exception in this respect. This volume is available free of charge (you pay for postage only).</p> <h2>Content</h2> <ol> <li>Innhold</li> <li>Forord</li> <li>Kristin G. Saunes: Språksituasjonen i Latvia</li> <li>Ole-Jacob Abraham: Russland blir eit imperium</li> <li>Jeremy M. Franklin: Språk og etnisitet i Ukraina</li> <li>Kari Eken Strømmen: Konflikt og sameksistens i Transkaukasia</li> <li>Anne Songstad: Russifisering i Aserbajdsjan</li> <li>Kari Eken Strømmen: Nasjonsbygging i Aserbajdsjan</li> <li>Arne Haugen: Fra nomader til nasjoner: Sentral-Asia i sovjetperioden</li> <li>Bergljot Hovland: Språkpolitikk og politisk retorikk i Kasakstan: Det russiske språket si stilling</li> <li>Esther van Veen: Dualøkonomi og etniske relasjoner i Almaty, Kasakstan</li> <li>Vemund Aarbakke: Verden sett fra Tyrkia: et lite bidrag til forståelsen av en for oss fremmed kultur</li> <li>Kart</li> <li>Bidragsytere</li> </ol> <p><strong>Not available online.</strong></p>Ole-Jacob AbrahamØrjan Leren
Copyright (c) 1999 Ole-Jacob Abraham, Ørjan Leren
2017-05-302017-05-30Desire, Death and Imitation
https://boap.uib.no/books/sb/catalog/book/15
<h2>Contents</h2> <p>Foreword <br><strong>Chapter One: Tolstoy’s Realism</strong><br>The poetics of realism<br>The invariant of death and desire<br>Some methodological consideration<br><br><strong>Chapter Two: The Death of Ivan Il’ich</strong><br>The frame<br>Tolstoy's absolute language<br>Ivan Il'ich from a distance<br>Illness and impending death<br>The prosecution<br>The world as lie and deception<br>The identification with Christ<br>Death according to the other<br><br><strong>Chapter Three: The Kreutzer Sonata</strong><br>The epic protosituation<br>The narrator<br>The dialogue<br>The marriage<br>The moralizer<br>Triangular desire<br>Remembering and repeating<br>The eye and the ear<br>Pozdnyshev and the history of sexuality</p> <p><strong>Chapter Four: Master and Man<br></strong>The portraits<br>The circle<br>Temptation and temperance<br>Brekhunov's consciousness<br>The final return<br>Silence and extinction<br>Nikita’s death<br><br><strong>Chapter Five: Concluding remarks</strong><br><br>Bibliography<br>Index of Names</p> <p><strong>Not available online.</strong></p>Kåre Johan Mjør
Copyright (c) 2002 Kåre Johan Mjør
2017-05-302017-05-30Gender and Sexuality in Ethical Context
https://boap.uib.no/books/sb/catalog/book/16
<p>For a country like Poland that’s struggling with both democracy and religious fundamentalism, the problem of sexual difference can give art a margin for subversiveness and even revolutionary potential.”<a id="_ftnref1" href="http://www.hf.uib.no/i/russisk/slavicabergensia/vol5intro.htm#_ftn1" name="_ftnref1"><sup>[1]</sup></a> In referring to dissident voices of today, the contemporary art historian Paweł Leszkowicz indicates the premise and the purpose of this volume on Polish prose of earlier times: to explore how issues of gender and sexuality not only emerge as imaginative elements, but also how they may challenge and transgress social as well as cultural norms. In no sense is our project intended as a comprehensive survey of Polish “gender and sexuality writing”; neither does it claim that such writing constitutes a coherent tradition. The title <em>Gender and Sexuality in Ethical Context: Ten Essays on Polish Prose</em> therefore operates as a set of interrogations into selected texts rather than of direct assertions: Is gender socially and ideologically constructed or conditioned? Is there such a thing as essential sexual difference? Is sexuality something given by nature, and is it universally the same? In this connection, gender and sexual ethics, like all ethics, is, as Leszkowicz’s committed quote implies, an ongoing conversation, and this collection is but a voice in the dialogue.</p> <h2>Content</h2> <ol> <li>Ursula Phillips: Femme Fatale and Mother-Martyr: Femininity and Patriotism in Żmichowska’s <em>The Heathen</em></li> <li>Małgorzata Anna Packalén: The Femmes Fatales of the Polish Village: Sexuality, Society and Literary Conventions in Orzeszkowa, Reymont and Dąbrowska</li> <li>Grażyna Borkowska: The Feminism of Eliza Orzeszkowa</li> <li>Włodzimierz Bolecki: Gender and Sex in Early Polish Modernism: Przybyszewski, Irzykowski, Witkacy, Schulz</li> <li>German Ritz: Does Paluba Have a Sex? Irzykowski’s Paluba in the Light of Gender Studies</li> <li>Magdalena Rembowska-Płuciennik: Family Nausea: Attitudes towards Family Values in Zofia Nałkowska’s<em> Snakes and Roses</em> and <em>The Impatient Ones</em></li> <li>Urszula Magdalena Chowaniec: Initiation into Womanhood: Irena Krzywicka’s <em>Flight from Darkness</em></li> <li>Ewa Kraskowska: Femininity and Communism: The Case of Elżbieta Szemplińska</li> <li>Knut Andreas Grimstad: Gombrowicz’s “Gender Trouble” or, the Problem of Intimacy in <em>Possessed</em></li> <li>German Ritz: Inexpressible Desire and Narrative Poetics: Homosexuality in Iwaszkiewicz, Breza, Mach and Gombrowicz</li> <li>Contributors</li> <li>Index of Names</li> </ol> <p><strong>Not available online.</strong></p>Knut Andreas GrimstadUrsula Phillips
Copyright (c) 2005 Knut Andreas Grimstad, Ursula Phillips
2017-05-302017-05-30From Poets to Padonki
https://boap.uib.no/books/sb/catalog/book/8
<p>Norms are essential to the human condition. Whether in the guise of tradition, culture, canon or rules, norms are therefore central to studies in the humanities. This book focuses on Russian language culture of the post-revolutionary and post-Soviet periods, times when norms — linguistic and otherwise — have been eagerly debated, challenged, broken and redefined. Exploring the intersections between linguistic authority and creative response, an international team of scholars examines different realms of linguistic practice (literary fiction, internet slang, literary criticism and aesthetics, writers’ blogs, linguistic play) and various arenas for “talk about talk” (the classroom, blogs, the media, or the courtroom). By combining various approaches and disciplines — linguistics, literary criticism, new media studies — the book as a whole explores the multiplicity of meanings that are accorded to the notion of linguistic norms in the Russian community. The result is both a broad and a detailed picture of important trends in modern Russian language culture.</p>Ingunn LundeMartin PaulsenHenning AndersenVera ZverevaElena MarkasovaEllen RuttenTine RoesenDirk UffelmannKarin GrelzPeter Alberg JensenHeinrich KirschbaumSusanna WittDaniel WeissGasan GuseinovLara Ryazanova-ClarkeMichael Gorham
Copyright (c) 2017 Ingunn Lunde; Henning Andersen; Martin Paulsen; Vera Zvereva, Elena Markasova, Ellen Rutten, Tine Roesen, Dirk Uffelmann, Karin Grelz, Peter Alberg Jensen, Heinrich Kirschbaum, Susanna Witt, Daniel Weiss, Gasan Guseinov, Lara Ryazanova-Clarke, Michael Gorham
2017-03-132017-03-13Setevye razgovory
https://boap.uib.no/books/sb/catalog/book/11
<p>Распространение цифровых технологий в культуре 2000-х гг. влияет на способы взаимоотношений пользователей со средствами информации и коммуникации. В русскоязычном сегменте Интернета складывается система динамичных социокультурных взаимодействий. Люди из разных групп общества вступают друг с другом в бесконечные разговоры – важные и тривиальные, деловые и игровые, опосредованные новыми технологиями. В них конструируется идентичность говорящих и образы их собеседников, транслируются формулы, при помощи которых реальность наделяется значениями. Рассмотрение повторяющихся фигур речи дает возможность выявить стоящие за ними культурные установки пользователей Рунета. </p> <p>Проблемы трансформации культурных форм и практик, связанных с освоением цифровых медиа в российской культуре, находятся в центре внимания этой книги. Ее основу составили кейсы, позволяющие изучать специфику языка, стилей коммуникации и онлайновой идентичности у юзеров, общающихся при помощи различных Интернет-сервисов. В книге формулируется вопрос о влиянии практик коммуникации в Интернете на устойчивые паттерны постсоветской идентификации.</p> <p>Книга адресована исследователям и студентам, изучающим современную российскую культуру, проблемы медиакультуры, языка и коммуникации в условиях цифровых технологий.</p>Vera Zvereva
Copyright (c) 2012 Vera Zvereva
2017-03-102017-03-10The Poetry of Prose
https://boap.uib.no/books/sb/catalog/book/10
<p>In prose, and especially in narrative prose, the poetic system of repetitive parallel elements is less conspicuous than in verse composition. And yet the poetry of narrative prose is likewise brought about by elaborate systems of parallels and equivalences that prompt the reader to transform the true-to-life representation of events and characters into higher, symbolic levels of meaning. The readings in this book explore the functions of parallelistic patterning in narrative Russian literature: from the figural interpretation of early East Slavic hagiography — the juxtaposition of saints’ lives with the gospel narratives about the life of Christ — to the deployment of related forms of parabolic projection in the works the great nineteenth-century Russian novelists. It is the uncovering of such patterns that provides access to the symbolic dimension of the Russian novel.</p> <p><strong>Contents</strong></p> <p>Preface<br> <a href="https://www.uib.no/filearchive/introductionjb.pdf">Introduction</a><br> Chapter One · Medieval East Slavic Literature 988–1730<br> Chapter Two · Religion and Art in the Russian Novel<br> Chapter Three · The Function of Hagiography in Dostoevsky’s Novels<br> Chapter Four · Polyphony in The Brothers Karamazov: Variations on a Theme<br> Chapter Five · Dostoevskian Fools—Holy and Unholy <br> Chapter Six · Dostoevsky’s Idiot or the Poetics of Emptiness<br> Chapter Seven · Male Homosocial Desire in The Idiot<br> Chapter Eight · The Last Delusion in an Infinite Series of Delusions: Stavrogin and the Symbolic Structure of Demons<br> Chapter Nine · The Poetry of Prose: The Art of Parallelism in Turgenev’s Fathers and Sons<br> Chapter Ten · Seeing the World Through Genres<br> Index of Names</p>Jostein Børtnes
Copyright (c) 2017 Jostein Børtnes
2017-03-082017-03-08Landslide of the Norm
https://boap.uib.no/books/sb/catalog/book/3
<p>Rapid changes in post-Soviet political and social life have been accompanied by dramatic shifts in language culture. Bringing together an international team of linguistic and literary scholars, this book explores the dynamic interrelationship between language and literature as it identifi es different responses to the linguistic situation as well as contributing factors in its development. The linguo-cultural practices under scrutiny include language use and language debates, popular and professional linguistic attitudes and their ideological underpinnings, works of artistic prose and poetry, as well as linguistic ideologies and strategies stemming from the Soviet era that continue to be relevant.</p>Ingunn LundeTine RoesenLara Ryazanova-ClarkeMichael S. GorhamKnut Andreas GrimstadBrita Lotsberg BrynElena MarkasovaAnnika B. MyhrMartin PaulsenIrina SandomiskajaDirk UffelmannLiudmila Zubova
Copyright (c) 2016 Ingunn Lunde; Tine Roesen
2017-03-062017-03-06Styling Russia
https://boap.uib.no/books/sb/catalog/book/5
<p>In response to the clichéd view of Nikolai Leskov as an exceptionally gifted stylist and “the most Russian of writers,” this book explores a nineteneeth-century storyteller who was a patriot and believer in the spiritual uniqueness of the Russian people, yet who also represented, or <em>styled</em>, ethnic identity as unstable and permeable. By combining key concepts from modern literary theory and semiotics, as well as from anthropology and the theory of culture, it investigates the image of human life as portrayed in five of Leskov’s most celebrated works, amongst them <em>Cathedral Folk </em>and <em>The Enchanted Wanderer</em>. Here the lay theological attitudes that inform them can be said to challenge the idea of the multiethnic Empire as a culturally unified nation state.</p> <p><strong>Knut Andreas Grimstad</strong> is Associate Professor and Head of Polish Studies in the Department of Literature, Area Studies and European Languages, University of Oslo. The co-editor of <em>Gender and Sexuality in Ethical Context: Ten Essays on Polish Prose</em> (2005), he has also published on early Russian hagiography as well as Russian nineteenth- and twentieth-century prose. Among Grimstad’s current research interests are popular culture and Jewish-Polish relations in independent Poland 1918–39.</p> <p><strong>Contents</strong></p> <p><strong><span style="text-decoration: underline;">Introduction<br></span></strong>Opinions and approaches<br>Multiculture and the resonance of styles<br>National romanticism and national literature<br>What this book does</p> <p><strong>Chapter One · Myth-Making Movements</strong><br> Mingling, conflict, and syncretism<br> Local discord and everyday heroism<br> Meaning in-between styles/texts/cultures<br> Complexity in simplicity or, a “Russian” Russia<br> <strong>Chapter Two · Idyllizing the Russian Provinces</strong><br> A language of feeling<br> The imperfections of the societal idyll<br> Orthodoxy as micro-harmony<br> The multiple facets of sentimental idyllization<br> <strong>Chapter Three · The Problem of Multiethnicity</strong><br> Myth, manner, meaning<br> In the company of strangers (otherness, foreignness)<br> The accommodation of Polishness<br> Processing cultural diversity<br> <strong>Chapter Four · Adapting the Christian Text</strong><br> The social and the personal<br> Transformation in imitation<br> “Imitation” as continuation<br> Identity formation and the significance of sociality<br> Roots of ambivalence<br> <strong>Chapter Five · The Sealed Angel</strong><br> A common contrivance<br> Loss, discovery, or “an account of the places through which we travelled”<br> An English master builder<br> The purpose of sentimental dreaming<br> <strong>Chapter Six · The Enchanted Wanderer</strong><br> The adventures of an unwilling adventurer<br> Under the Tatar yoke<br> Gypsies, tramps and thieves<br> Surveying Russian history<br> <strong>Chapter Seven · On the Edge of the World</strong><br> A Christological discussion<br> Going East<br> The potential of borderlands<br> Apocatastasis, or an optimistic worldview<br> <strong>Chapter Eight · Childhood Years</strong><br> The art of remembering<br> A journey from St Petersburg to Kiev<br> Polishness revisited<br> The dictates of the heart<br> Restless identities: Who are Leskov’s Russians?<br> <strong>Epilogue</strong><br> Leskov’s texts as testaments to “idyllic utopia”<br> Religious pluralism or, transcending multiculture<br> By way of conclusion<br> Works Cited<br> Index of Names</p> <p> </p>Knut Andreas Grimstad
Copyright (c) 2007 Knut Andreas Grimstad
2017-03-062017-03-06Contemporary Approaches to Dialectology
https://boap.uib.no/books/sb/catalog/book/7
<p>This volume brings together studies from different fields of dialectology with a focus on contemporary methods and understudied subfields. The collection comprises articles on dialectal grammar, historical dialectology, language contact, and theoretical approaches to dialectal variation, as well as sociolinguistic descriptions of particular vernaculars based on first-hand data. Furthermore, the collection addresses central questions in the field, such as the extent to which one may still speak of dialect continua, and the conditions that influence variation in vernaculars across space and time.</p> <p>The majority of the contributions are case studies that analyse the functional range or diachronic development of specific constructions, or home in on the sociolinguistic environment and provenance of individual speaker groups. Other contributions offer a methodological overview of variationist linguistics or a critical synthesis of previous research.</p>Ilja SeržantBjörn WiemerBenedikt SzmrecsanyiNatalia LevshinaSofija PozharickajaAksana ErkerNina MarkovaJames LavineHakyung JungMargje PostElena GalinskajaMirosław JankowiakAnna Żebrowska
Copyright (c) 2017 Benedikt Szmrecsanyi
https://creativecommons.org/licenses/by/4.0
2014-08-092014-08-09